A friend of mine described Dracula Untold (2014, directed by Gary Shore) as "300 with vampires." I can see what she means. Any retelling of the story of Vlad III, Prince of Wallachia, however tinged by dark fantasy, is liable to stumble over 21st century global politics. In his time, Vlad was a hero to the people of Wallachia and Romania and Eastern Europe for standing as a bulwark between Christendom and the depredations of the Muslim Ottoman Turks. The allegorical potential in a contemporary world divided in conflict along the lines of Christian and Muslim is too rich. This analogy breaks down, though, when one considers the (anti) hero of the piece. Even in his own time, Vlad Dracula was famed for his bottomless cruelty. I almost wish the filmmakers had included some of the gorier stories about Vlad (in one--my favorite, actually--a trio of monks refused to doff their skullcaps to the Prince, so he nailed them to their heads). Not for nothing is Vlad III forever nicknamed "Vlad the Impaler," something with which this film is very much in tune. Vlad Dracula was a monster even before Bram Stoker modeled his famous vampire upon him. So what do you get if you cast a monster as the bulwark of Christianity against the Infidel Turks? Something different than an allegory for contemporary politics, or, at the very least, a very different kind of allegory than the right-wing jingoism of 300.
The legend of Vlad the Impaler and of Bram Stoker's Count Dracula are so intertwined anymore that it hardly seems worth it to untangle them. The imagery implicit in such an entanglement is much to rich to abandon to mere factuality. One doesn't need the huggermugger of the horror genre to be horrified at the forests of impaled enemies Vlad left in his wake to intimidate his enemies. A contemporary reading of the way Vlad conducted his war against the Turks would convict him of crimes against humanity. Medieval warfare was brutal in ways that we can't even conceive anymore. Adding the vampire legend to Vlad almost seems beside the point, but add it to the story of Vlad the Impaler this film does, and the additional Romantic tragedy that has somehow accreted to both myths.